The period of the hairst-play, that is, of the harvest holiday time, drew near, and over the north of Scotland thousands of half-grown hearts were beating with glad anticipation. Of the usual devices of boys to cheat themselves into the half-belief of expediting a blessed approach by marking its rate, Robert knew nothing: even the notching of sticks was unknown at Rothieden; but he had a mode notwithstanding. Although indifferent to the games of his school-fellows, there was one amusement, a solitary one nearly, and therein not so good as most amusements, into which he entered with the whole energy of his nature: it was kite-flying. The moment that the hairst-play approached near enough to strike its image through the eyes of his mind, Robert proceeded to make his kite, or draigon, as he called it. Of how many pleasures does pocket-money deprive the unfortunate possessor! What is the going into a shop and buying what you want, compared with the gentle delight of hours and days filled with gaining effort after the attainment of your end? Never boy that bought his kite, even if the adornment thereafter lay in his own hands, and the pictures were gorgeous with colour and gilding, could have half the enjoyment of Robert from the moment he went to the cooper's to ask for an old gird or hoop, to the moment when he said 'Noo, Shargar!' and the kite rose slowly from the depth of the aërial flood. The hoop was carefully examined, the best portion cut away from it, that pared to a light strength, its ends confined to the proper curve by a string, and then away went Robert to the wright's shop. There a slip of wood, of proper length and thickness, was readily granted to his request, free as the daisies of the field. Oh! those horrid town conditions, where nothing is given for the asking, but all sold for money! In Robert's kite the only thing that cost money was the string to fly it with, and that the grandmother willingly provided, for not even her ingenuity could discover any evil, direct or implicated, in kite-flying. Indeed, I believe the old lady felt not a little sympathy with the exultation of the boy when he saw his kite far aloft, diminished to a speck in the vast blue; a sympathy, it may be, rooted in the religious aspirations which she did so much at once to rouse and to suppress in the bosom of her grandchild. But I have not yet reached the kite-flying, for I have said nothing of the kite's tail, for the sake of which principally I began to describe the process of its growth.
As soon as the body of the dragon was completed, Robert attached to its spine the string which was to take the place of its caudal elongation, and at a proper distance from the body joined to the string the first of the cross-pieces of folded paper which in this animal represent the continued vertebral processes. Every morning, the moment he issued from his chamber, he proceeded to the garret where the monster lay, to add yet another joint to his tail, until at length the day should arrive when, the lessons over for a blessed eternity of five or six weeks, he would tip the whole with a piece of wood, to which grass, quantum suff., might be added from the happy fields.
Upon this occasion the dragon was a monster one. With a little help from Shargar, he had laid the skeleton of a six-foot specimen, and had carried the body to a satisfactory completion.
The tail was still growing, having as yet only sixteen joints, when Mr. Lammie called with an invitation for the boys to spend their holidays with him. It was fortunate for Robert that he was in the room when Mr. Lammie presented his petition, otherwise he would never have heard of it till the day of departure arrived, and would thus have lost all the delights of anticipation. In frantic effort to control his ecstasy, he sped to the garret, and with trembling hands tied the second joint of the day to the tail of the dragon—the first time he had ever broken the law of its accretion. Once broken, that law was henceforth an object of scorn, and the tail grew with frightful rapidity. It was indeed a great dragon. And none of the paltry fields about Rothieden should be honoured with its first flight, but from Bodyfauld should the majestic child of earth ascend into the regions of upper air.
My reader may here be tempted to remind me that Robert had been only too glad to return to Rothieden from his former visit. But I must in my turn remind him that the circumstances were changed. In the first place, the fiddle was substituted for grannie; and in the second, the dragon for the school.
The making of this dragon was a happy thing for Shargar, and a yet happier thing for Robert, in that it introduced again for a time some community of interest between them. Shargar was happier than he had been for many a day because Robert used him; and Robert was yet happier than Shargar in that his conscience, which had reproached him for his neglect of him, was now silent. But not even his dragon had turned aside his attentions from his violin; and many were the consultations between the boys as to how best she might be transported to Bodyfauld, where endless opportunities of holding communion with her would not be wanting. The difficulty was only how to get her clear of Rothieden.
The play commenced on a Saturday; but not till the Monday were they to be set at liberty. Wearily the hours of mental labour and bodily torpidity which the Scotch called the Sabbath passed away, and at length the millennial morning dawned. Robert and Shargar were up before the sun. But strenuous were the efforts they made to suppress all indications of excitement, lest grannie, fearing the immoral influence of gladness, should give orders to delay their departure for an awfully indefinite period, which might be an hour, a day, or even a week. Horrible conception! Their behaviour was so decorous that not even a hinted threat escaped the lips of Mrs. Falconer.
They set out three hours before noon, carrying the great kite, and Robert's school bag, of green baize, full of sundries: a cart from Bodyfauld was to fetch their luggage later in the day. As soon as they were clear of the houses, Shargar lay down behind a dyke with the kite, and Robert set off at full speed for Dooble Sanny's shop, making a half-circuit of the town to avoid the chance of being seen by grannie or Betty. Having given due warning before, he found the brown-paper parcel ready for him, and carried it off in fearful triumph. He joined Shargar in safety, and they set out on their journey as rich and happy a pair of tramps as ever tramped, having six weeks of their own in their pockets to spend and not spare.
A hearty welcome awaited them, and they were soon revelling in the glories of the place, the first instalment of which was in the shape of curds and cream, with oatcake and butter, as much as they liked. After this they would 'e'en to it like French falconers' with their kite, for the wind had been blowing bravely all the morning, having business to do with the harvest. The season of stubble not yet arrived, they were limited to the pasturage and moorland, which, however, large as their kite was, were spacious enough. Slowly the great-headed creature arose from the hands of Shargar, and ascended about twenty feet, when, as if seized with a sudden fit of wrath or fierce indignation, it turned right round and dashed itself with headlong fury to the earth, as if sooner than submit to such influences a moment longer it would beat out its brains at once.
'It hasna half tail eneuch,' cried Robert. 'It's queer 'at things winna gang up ohn hauden them doon. Pu' a guid han'fu' o' clover, Shargar. She's had her fa', an' noo she'll gang up a' richt. She's nane the waur o' 't.'
Upon the next attempt, the kite rose triumphantly. But just as it reached the length of the string it shot into a faster current of air, and Robert found himself first dragged along in spite of his efforts, and then lifted from his feet. After carrying him a few yards, the dragon broke its string, dropped him in a ditch, and, drifting away, went fluttering and waggling downwards in the distance.
'Luik whaur she gangs, Shargar,' cried Robert, from the ditch.
Experience coming to his aid, Shargar took landmarks of the direction in which it went; and ere long they found it with its tail entangled in the topmost branches of a hawthorn tree, and its head beating the ground at its foot. It was at once agreed that they would not fly it again till they got some stronger string.
Having heard the adventure, Mr. Lammie produced a shilling from the pocket of his corduroys, and gave it to Robert to spend upon the needful string. He resolved to go to the town the next morning and make a grand purchase of the same. During the afternoon he roamed about the farm with his hands in his pockets, revolving if not many memories, yet many questions, while Shargar followed like a pup at the heels of Miss Lammie, to whom, during his former visit, he had become greatly attached.
In the evening, resolved to make a confidant of Mr. Lammie, and indeed to cast himself upon the kindness of the household generally, Robert went up to his room to release his violin from its prison of brown paper. What was his dismay to find—not his bonny leddy, but her poor cousin, the soutar's auld wife! It was too bad. Dooble Sanny indeed!
He first stared, then went into a rage, and then came out of it to go into a resolution. He replaced the unwelcome fiddle in the parcel, and came down-stairs gloomy and still wrathful, but silent. The evening passed over, and the inhabitants of the farmhouse went early to bed. Robert tossed about fuming on his. He had not undressed.
About eleven o'clock, after all had been still for more than an hour, he took his shoes in one hand and the brown parcel in the other, and descending the stairs like a thief, undid the quiet wooden bar that secured the door, and let himself out. All was darkness, for the moon was not yet up, and he felt a strange sensation of ghostliness in himself—awake and out of doors, when he ought to be asleep and unconscious in bed. He had never been out so late before, and felt as if walking in the region of the dead, existing when and where he had no business to exist. For it was the time Nature kept for her own quiet, and having once put her children to bed—hidden them away with the world wiped out of them—enclosed them in her ebony box, as George Herbert says—she did not expect to have her hours of undress and meditation intruded upon by a venturesome school-boy. Yet she let him pass. He put on his shoes and hurried to the road. He heard a horse stamp in the stable, and saw a cat dart across the corn-yard as he went through. Those were all the signs of life about the place.
It was a cloudy night and still. Nothing was to be heard but his own footsteps. The cattle in the fields were all asleep. The larch and spruce trees on the top of the hill by the foot of which his road wound were still as clouds. He could just see the sky through their stems. It was washed with the faintest of light, for the moon, far below, was yet climbing towards the horizon. A star or two sparkled where the clouds broke, but so little light was there, that, until he had passed the moorland on the hill, he could not get the horror of moss-holes, and deep springs covered with treacherous green, out of his head. But he never thought of turning. When the fears of the way at length fell back and allowed his own thoughts to rise, the sense of a presence, or of something that might grow to a presence, was the first to awake in him. The stillness seemed to be thinking all around his head. But the way grew so dark, where it lay through a corner of the pine-wood, that he had to feel the edge of the road with his foot to make sure that he was keeping upon it, and the sense of the silence vanished. Then he passed a farm, and the motions of horses came through the dark, and a doubtful crow from a young inexperienced cock, who did not yet know the moon from the sun. Then a sleepy low in his ear startled him, and made him quicken his pace involuntarily.
By the time he reached Rothieden all the lights were out, and this was just what he wanted.
The economy of Dooble Sanny's abode was this: the outer door was always left on the latch at night, because several families lived in the house; the soutar's workshop opened from the passage, close to the outer door, therefore its door was locked; but the key hung on a nail just inside the soutar's bedroom. All this Robert knew.
Arrived at the house, he lifted the latch, closed the door behind him, took off his shoes once more, like a housebreaker, as indeed he was, although a righteous one, and felt his way to and up the stair to the bedroom. There was a sound of snoring within. The door was a little ajar. He reached the key and descended, his heart beating more and more wildly as he approached the realization of his hopes. Gently as he could he turned it in the lock. In a moment more he had his hands on the spot where the shoemaker always laid his violin. But his heart sank within him: there was no violin there. A blank of dismay held him both motionless and thoughtless; nor had he recovered his senses before he heard footsteps, which he well knew, approaching in the street. He slunk at once into a corner. Elshender entered, feeling his way carefully, and muttering at his wife. He was tipsy, most likely, but that had never yet interfered with the safety of his fiddle: Robert heard its faint echo as he laid it gently down. Nor was he too tipsy to lock the door behind him, leaving Robert incarcerated amongst the old boots and leather and rosin.
For one moment only did the boy's heart fail him. The next he was in action, for a happy thought had already struck him. Hastily, that he might forestall sleep in the brain of the soutar, he undid his parcel, and after carefully enveloping his own violin in the paper, took the old wife of the soutar, and proceeded to perform upon her a trick which in a merry moment his master had taught him, and which, not without some feeling of irreverence, he had occasionally practised upon his own bonny lady.
The shoemaker's room was overhead; its thin floor of planks was the ceiling of the workshop. Ere Dooble Sanny was well laid by the side of his sleeping wife, he heard a frightful sound from below, as of some one tearing his beloved violin to pieces. No sound of rending coffin-planks or rising dead would have been so horrible in the ears of the soutar. He sprang from his bed with a haste that shook the crazy tenement to its foundation.
The moment Robert heard that, he put the violin in its place, and took his station by the door-cheek. The soutar came tumbling down the stair, and rushed at the door, but found that he had to go back for the key. When, with uncertain hand, he had opened at length, he went straight to the nest of his treasure, and Robert slipping out noiselessly, was in the next street before Dooble Sanny, having found the fiddle uninjured, and not discovering the substitution, had finished concluding that the whisky and his imagination had played him a very discourteous trick between them, and retired once more to bed. And not till Robert had cut his foot badly with a piece of glass, did he discover that he had left his shoes behind him. He tied it up with his handkerchief, and limped home the three miles, too happy to think of consequences.
Before he had gone far, the moon floated up on the horizon, large, and shaped like the broadside of a barrel. She stared at him in amazement to see him out at such a time of the night. But he grasped his violin and went on. He had no fear now, even when he passed again over the desolate moss, although he saw the stagnant pools glimmering about him in the moonlight. And ever after this he had a fancy for roaming at night. He reached home in safety, found the door as he had left it, and ascended to his bed, triumphant in his fiddle.
In the morning bloody prints were discovered on the stair, and traced to the door of his room. Miss Lammie entered in some alarm, and found him fast asleep on his bed, still dressed, with a brown-paper parcel in his arms, and one of his feet evidently enough the source of the frightful stain. She was too kind to wake him, and inquiry was postponed till they met at breakfast, to which he descended bare-footed, save for a handkerchief on the injured foot.
'Robert, my lad,' said Mr. Lammie, kindly, 'hoo cam ye by that bluidy fut?'
Robert began the story, and, guided by a few questions from his host, at length told the tale of the violin from beginning to end, omitting only his adventure in the factory. Many a guffaw from Mr. Lammie greeted its progress, and Miss Lammie laughed till the tears rolled unheeded down her cheeks, especially when Shargar, emboldened by the admiration Robert had awakened, imparted his private share in the comedy, namely, the entombment of Boston in a fifth-fold state; for the Lammies were none of the unco guid to be censorious upon such exploits. The whole business advanced the boys in favour at Bodyfauld; and the entreaties of Robert that nothing should reach his grandmother's ears were entirely unnecessary.
After breakfast Miss Lammie dressed the wounded foot. But what was to be done for shoes, for Robert's Sunday pair had been left at home? Under ordinary circumstances it would have been no great hardship to him to go barefoot for the rest of the autumn, but the cut was rather a serious one. So his feet were cased in a pair of Mr. Lammie's Sunday boots, which, from their size, made it so difficult for him to get along, that he did not go far from the doors, but revelled in the company of his violin in the corn-yard amongst last year's ricks, in the barn, and in the hayloft, playing all the tunes he knew, and trying over one or two more from a very dirty old book of Scotch airs, which his teacher had lent him.
In the evening, as they sat together after supper, Mr. Lammie said,
'Weel, Robert, hoo's the fiddle?'
'Fine, I thank ye, sir,' answered Robert.
'Lat's hear what ye can do wi' 't.'
Robert fetched the instrument and complied.
'That's no that ill,' remarked the farmer. 'But eh! man, ye suld hae heard yer gran'father han'le the bow. That was something to hear—ance in a body's life. Ye wad hae jist thoucht the strings had been drawn frae his ain inside, he kent them sae weel, and han'led them sae fine. He jist fan' (felt) them like wi' 's fingers throu' the bow an' the horsehair an' a', an' a' the time he was drawin' the soun' like the sowl frae them, an' they jist did onything 'at he likit. Eh! to hear him play the Flooers o' the Forest wad hae garred ye greit.'
'Cud my father play?' asked Robert.
'Ay, weel eneuch for him. He could do onything he likit to try, better nor middlin'. I never saw sic a man. He played upo' the bagpipes, an' the flute, an' the bugle, an' I kenna what a'; but a'thegither they cam' na within sicht o' his father upo' the auld fiddle. Lat's hae a luik at her.'
He took the instrument in his hands reverently, turned it over and over, and said,
'Ay, ay; it's the same auld mill, an' I wat it grun' (ground) bonny meal.—That sma' crater noo 'ill be worth a hunner poun', I s' warran',' he added, as he restored it carefully into Robert's hands, to whom it was honey and spice to hear his bonny lady paid her due honours. 'Can ye play the Flooers o' the Forest, no?' he added yet again.
'Ay can I,' answered Robert, with some pride, and laid the bow on the violin, and played the air through without blundering a single note.
'Weel, that's verra weel,' said Mr. Lammie. 'But it's nae mair like as yer gran'father played it, than gin there war twa sawyers at it, ane at ilka lug o' the bow, wi' the fiddle atween them in a saw-pit.'
Robert's heart sank within him; but Mr. Lammie went on:
'To hear the bow croudin' (cooing), and wailin', an' greitin' ower the strings, wad hae jist garred ye see the lands o' braid Scotlan' wi' a' the lasses greitin' for the lads that lay upo' reid Flodden side; lasses to cut, and lasses to gether, and lasses to bin', and lasses to stook, and lasses to lead, and no a lad amo' them a'. It's just the murnin' o' women, doin' men's wark as weel 's their ain, for the men that suld hae been there to du 't; and I s' warran' ye, no a word to the orra (exceptional, over-all) lad that didna gang wi' the lave (rest).'
Robert had not hitherto understood it—this wail of a pastoral and ploughing people over those who had left their side to return no more from the field of battle. But Mr. Lammie's description of his grandfather's rendering laid hold of his heart.
'I wad raither be grutten for nor kissed,' said he, simply.
'Haud ye to that, my lad,' returned Mr. Lammie. 'Lat the lasses greit for ye gin they like; but haud oot ower frae the kissin'. I wadna mell wi' 't.'
'Hoot, father, dinna put sic nonsense i' the bairns' heids,' said Miss Lammie.
'Whilk 's the nonsense, Aggy?' asked her father, slily. 'But I doobt,' he added, 'he'll never play the Flooers o' the Forest as it suld be playt, till he's had a taste o' the kissin', lass.'
'Weel, it's a queer instructor o' yowth, 'at says an' onsays i' the same breith.'
'Never ye min'. I haena contradickit mysel' yet; for I hae said naething. But, Robert, my man, ye maun pit mair sowl into yer fiddlin'. Ye canna play the fiddle till ye can gar 't greit. It's unco ready to that o' 'ts ain sel'; an' it's my opingon that there's no anither instrument but the fiddle fit to play the Flooers o' the Forest upo', for that very rizzon, in a' his Maijesty's dominions.—My father playt the fiddle, but no like your gran'father.'
Robert was silent. He spent the whole of the next morning in reiterated attempts to alter his style of playing the air in question, but in vain—as far at least as any satisfaction to himself was the result. He laid the instrument down in despair, and sat for an hour disconsolate upon the bedside. His visit had not as yet been at all so fertile in pleasure as he had anticipated. He could not fly his kite; he could not walk; he had lost his shoes; Mr. Lammie had not approved of his playing; and, although he had his will of the fiddle, he could not get his will out of it. He could never play so as to please Miss St. John. Nothing but manly pride kept him from crying. He was sorely disappointed and dissatisfied; and the world might be dreary even at Bodyfauld.
Few men can wait upon the bright day in the midst of the dull one. Nor can many men even wait for it.
Chapter XX. Jessie Hewson
The wound on Robert's foot festered, and had not yet healed when the sickle was first put to the barley. He hobbled out, however, to the reapers, for he could not bear to be left alone with his violin, so dreadfully oppressive was the knowledge that he could not use it after its nature. He began to think whether his incapacity was not a judgment upon him for taking it away from the soutar, who could do so much more with it, and to whom, consequently, it was so much more valuable. The pain in his foot, likewise, had been very depressing; and but for the kindness of his friends, especially of Miss Lammie, he would have been altogether 'a weary wight forlorn.'
Shargar was happier than ever he had been in his life. His white face hung on Miss Lammie's looks, and haunted her steps from spence (store-room, as in Devonshire) to milk-house, and from milk-house to chessel, surmounted by the glory of his red hair, which a farm-servant declared he had once mistaken for a fun-buss (whin-bush) on fire. This day she had gone to the field to see the first handful of barley cut, and Shargar was there, of course.
It was a glorious day of blue and gold, with just wind enough to set the barley-heads a-talking. But, whether from the heat of the sun, or the pain of his foot operating on the general discouragement under which he laboured, Robert turned faint all at once, and dragged himself away to a cottage on the edge of the field.
It was the dwelling of a cottar, whose family had been settled upon the farm of Bodyfauld from time immemorial. They were, indeed, like other cottars, a kind of feudal dependents, occupying an acre or two of the land, in return for which they performed certain stipulated labour, called cottar-wark. The greater part of the family was employed in the work of the farm, at the regular wages.
Alas for Scotland that such families are now to seek! Would that the parliaments of our country held such a proportion of noble-minded men as was once to be found in the clay huts on a hill-side, or grouped about a central farm, huts whose wretched look would move the pity of many a man as inferior to their occupants as a King Charles's lap-dog is to a shepherd's colley. The utensils of their life were mean enough: the life itself was often elixir vitae—a true family life, looking up to the high, divine life. But well for the world that such life has been scattered over it, east and west, the seed of fresh growth in new lands. Out of offence to the individual, God brings good to the whole; for he pets no nation, but trains it for the perfect globular life of all nations—of his world—of his universe. As he makes families mingle, to redeem each from its family selfishness, so will he make nations mingle, and love and correct and reform and develop each other, till the planet-world shall go singing through space one harmony to the God of the whole earth. The excellence must vanish from one portion, that it may be diffused through the whole. The seed ripens on one favoured mound, and is scattered over the plain. We console ourselves with the higher thought, that if Scotland is worse, the world is better. Yea, even they by whom the offence came, and who have first to reap the woe of that offence, because they did the will of God to satisfy their own avarice in laying land to land and house to house, shall not reap their punishment in having their own will, and standing therefore alone in the earth when the good of their evil deeds returns upon it; but the tears of men that ascended to heaven in the heat of their burning dwellings shall descend in the dew of blessing even on the hearts of them that kindled the fire.—'Something too much of this.'
Robert lifted the latch, and walked into the cottage. It was not quite so strange to him as it would be to most of my readers; still, he had not been in such a place before. A girl who was stooping by the small peat fire on the hearth looked up, and seeing that he was lame, came across the heights and hollows of the clay floor to meet him. Robert spoke so faintly that she could not hear.
'What's yer wull?' she asked; then, changing her tone,—'Eh! ye're no weel,' she said. 'Come in to the fire. Tak a haud o' me, and come yer wa's butt.'
She was a pretty, indeed graceful girl of about eighteen, with the elasticity rather than undulation of movement which distinguishes the peasant from the city girl. She led him to the chimla-lug (the ear of the chimney), carefully levelled a wooden chair to the inequalities of the floor, and said,
'Sit ye doon. Will I fess a drappy o' milk?'
'Gie me a drink o' water, gin ye please,' said Robert.
She brought it. He drank, and felt better. A baby woke in a cradle on the other side of the fire, and began to cry. The girl went and took him up; and then Robert saw what she was like. Light-brown hair clustered about a delicately-coloured face and hazel eyes. Later in the harvest her cheeks would be ruddy—now they were peach-coloured. A white neck rose above a pink print jacket, called a wrapper; and the rest of her visible dress was a blue petticoat. She ended in pretty, brown bare feet. Robert liked her, and began to talk. If his imagination had not been already filled, he would have fallen in love with her, I dare say, at once; for, except Miss St. John, he had never seen anything he thought so beautiful. The baby cried now and then.
'What ails the bairnie?' he asked.
'Ow, it's jist cuttin' its teeth. Gin it greits muckle, I maun jist tak it oot to my mither. She'll sune quaiet it. Are ye haudin' better?'
'Hoot, ay. I'm a' richt noo. Is yer mither shearin'?'
'Na. She's gatherin'. The shearin' 's some sair wark for her e'en noo. I suld hae been shearin', but my mither wad fain hae a day o' the hairst. She thocht it wud du her gude. But I s' warran' a day o' 't 'll sair (satisfy) her, and I s' be at it the morn. She's been unco dowie (ailing) a' the summer; and sae has the bairnie.'
'Ye maun hae had a sair time o' 't, than.'
'Ay, some. But I aye got some sleep. I jist tuik the towie (string) into the bed wi' me, and whan the bairnie grat, I waukit, an' rockit it till 't fell asleep again. But whiles naething wad du but tak him till 's mammie.'
All the time she was hushing and fondling the child, who went on fretting when not actually crying.
'Is he yer brither, than?' asked Robert.
'Ay, what ither? I maun tak him, I see. But ye can sit there as lang 's ye like; and gin ye gang afore I come back, jist turn the key 'i the door to lat onybody ken that there's naebody i' the hoose.'
Robert thanked her, and remained in the shadow by the chimney, which was formed of two smoke-browned planks fastened up the wall, one on each side, and an inverted wooden funnel above to conduct the smoke through the roof. He sat for some time gloomily gazing at a spot of sunlight which burned on the brown clay floor. All was still as death. And he felt the white-washed walls even more desolate than if they had been smoke-begrimed.
Looking about him, he found over his head something which he did not understand. It was as big as the stump of a great tree. Apparently it belonged to the structure of the cottage, but he could not, in the imperfect light, and the dazzling of the sun-spot at which he had been staring, make out what it was, or how it came to be up there—unsupported as far as he could see. He rose to examine it, lifted a bit of tarpaulin which hung before it, and found a rickety box, suspended by a rope from a great nail in the wall. It had two shelves in it full of books.
Now, although there were more books in Mr. Lammie's house than in his grandmother's, the only one he had found that in the least enticed him to read, was a translation of George Buchanan's History of Scotland. This he had begun to read faithfully, believing every word of it, but had at last broken down at the fiftieth king or so. Imagine, then, the moon that arose on the boy when, having pulled a ragged and thumb-worn book from among those of James Hewson the cottar, he, for the first time, found himself in the midst of The Arabian Nights. I shrink from all attempt to set forth in words the rainbow-coloured delight that coruscated in his brain. When Jessie Hewson returned, she found him seated where she had left him, so buried in his volume that he did not lift his head when she entered.
'Ye hae gotten a buik,' she said.
'Ay have I,' answered Robert, decisively.
'It's a fine buik, that. Did ye ever see 't afore?'
'Na, never.'
'There's three wolums o' 't about, here and there,' said Jessie; and with the child on one arm, she proceeded with the other hand to search for them in the crap o' the wa', that is, on the top of the wall where the rafters rest.
There she found two or three books, which, after examining them, she placed on the dresser beside Robert.
'There's nane o' them there,' she said; 'but maybe ye wad like to luik at that anes.'
Robert thanked her, but was too busy to feel the least curiosity about any book in the world but the one he was reading. He read on, heart and soul and mind absorbed in the marvels of the eastern skald; the stories told in the streets of Cairo, amidst gorgeous costumes, and camels, and white-veiled women, vibrating here in the heart of a Scotch boy, in the darkest corner of a mud cottage, at the foot of a hill of cold-loving pines, with a barefooted girl and a baby for his companions.
But the pleasure he had been having was of a sort rather to expedite than to delay the subjective arrival of dinner-time. There was, however, happily no occasion to go home in order to appease his hunger; he had but to join the men and women in the barley-field: there was sure to be enough, for Miss Lammie was at the head of the commissariat.
When he had had as much milk-porridge as he could eat, and a good slice of swack (elastic) cheese, with a cap (wooden bowl) of ale, all of which he consumed as if the good of them lay in the haste of their appropriation, he hurried back to the cottage, and sat there reading The Arabian Nights, till the sun went down in the orange-hued west, and the gloamin' came, and with it the reapers, John and Elspet Hewson, and their son George, to their supper and early bed.
John was a cheerful, rough, Roman-nosed, black-eyed man, who took snuff largely, and was not careful to remove the traces of the habit. He had a loud voice, and an original way of regarding things, which, with his vivacity, made every remark sound like the proclamation of a discovery.
'Are ye there, Robert?' said he, as he entered. Robert rose, absorbed and silent.
'He's been here a' day, readin' like a colliginer,' said Jessie.
'What are ye readin' sae eident (diligent), man?' asked John.
'A buik o' stories, here,' answered Robert, carelessly, shy of being supposed so much engrossed with them as he really was.
I should never expect much of a young poet who was not rather ashamed of the distinction which yet he chiefly coveted. There is a modesty in all young delight. It is wild and shy, and would hide itself, like a boy's or maiden's first love, from the gaze of the people. Something like this was Robert's feeling over The Arabian Nights.
'Ay,' said John, taking snuff from a small bone spoon, 'it's a gran' buik that. But my son Charley, him 'at 's deid an' gane hame, wad hae tell't ye it was idle time readin' that, wi' sic a buik as that ither lyin' at yer elbuck.'
He pointed to one of the books Jessie had taken from the crap o' the wa' and laid down beside him on the well-scoured dresser. Robert took up the volume and opened it. There was no title-page.
'The Tempest?' he said. 'What is 't? Poetry?'
'Ay is 't. It's Shackspear.'
'I hae heard o' him,' said Robert. 'What was he?'
'A player kin' o' a chiel', wi' an unco sicht o' brains,' answered John. 'He cudna hae had muckle time to gang skelpin' and sornin' aboot the country like maist o' thae cattle, gin he vrote a' that, I'm thinkin'.'
'Whaur did he bide?'
'Awa' in Englan'—maistly aboot Lonnon, I'm thinkin'. That's the place for a' by-ordinar fowk, they tell me.'
'Hoo lang is 't sin he deid?'
'I dinna ken. A hunner year or twa, I s' warran'. It's a lang time. But I'm thinkin' fowk than was jist something like what they are noo. But I ken unco little aboot him, for the prent 's some sma', and I'm some ill for losin' my characters, and sae I dinna win that far benn wi' him. Geordie there 'll tell ye mair aboot him.'
But George Hewson had not much to communicate, for he had but lately landed in Shakspere's country, and had got but a little way inland yet. Nor did Robert much care, for his head was full of The Arabian Nights. This, however, was his first introduction to Shakspere.
Finding himself much at home, he stopped yet a while, shared in the supper, and resumed his seat in the corner when the book was brought out for worship. The iron lamp, with its wick of rush-pith, which hung against the side of the chimney, was lighted, and John sat down to read. But as his eyes and the print, too, had grown a little dim with years, the lamp was not enough, and he asked for a 'fir-can'le.' A splint of fir dug from the peat-bog was handed to him. He lighted it at the lamp, and held it in his hand over the page. Its clear resinous flame enabled him to read a short psalm. Then they sang a most wailful tune, and John prayed. If I were to give the prayer as he uttered it, I might make my reader laugh, therefore I abstain, assuring him only that, although full of long words—amongst the rest, aspiration and ravishment—the prayer of the cheerful, joke-loving cottar contained evidence of a degree of religious development rare, I doubt, amongst bishops.
When Robert left the cottage, he found the sky partly clouded and the air cold. The nearest way home was across the barley-stubble of the day's reaping, which lay under a little hill covered with various species of the pine. His own soul, after the restful day he had spent, and under the reaction from the new excitement of the stories he had been reading, was like a quiet, moonless night. The thought of his mother came back upon him, and her written words, 'O Lord, my heart is very sore'; and the thought of his father followed that, and he limped slowly home, laden with mournfulness. As he reached the middle of the field, the wind was suddenly there with a low sough from out of the north-west. The heads of barley in the sheaves leaned away with a soft rustling from before it; and Robert felt for the first time the sadness of a harvest-field. Then the wind swept away to the pine-covered hill, and raised a rushing and a wailing amongst its thin-clad branches, and to the ear of Robert the trees were singing over again in their night solitudes the air sung by the cottar's family. When he looked to the north-west, whence the wind came, he saw nothing but a pale cleft in the sky. The meaning, the music of the night awoke in his soul; he forgot his lame foot, and the weight of Mr. Lammie's great boots, ran home and up the stair to his own room, seized his violin with eager haste, nor laid it down again till he could draw from it, at will, a sound like the moaning of the wind over the stubble-field. Then he knew that he could play the Flowers of the Forest. The Wind that Shakes the Barley cannot have been named from the barley after it was cut, but while it stood in the field: the Flowers of the Forest was of the gathered harvest.
He tried the air once over in the dark, and then carried his violin down to the room where Mr. and Miss Lammie sat.
'I think I can play 't noo, Mr. Lammie,' he said abruptly.
'Play what, callant?' asked his host.
'The Flooers o' the Forest.'
'Play awa' than.'
And Robert played—not so well as he had hoped. I dare say it was a humble enough performance, but he gave something at least of the expression Mr. Lammie desired. For, the moment the tune was over, he exclaimed,
'Weel dune, Robert man! ye'll be a fiddler some day yet!'
And Robert was well satisfied with the praise.
'I wish yer mother had been alive,' the farmer went on. 'She wad hae been rael prood to hear ye play like that. Eh! she likit the fiddle weel. And she culd play bonny upo' the piana hersel'. It was something to hear the twa o' them playing thegither, him on the fiddle—that verra fiddle o' 's father's 'at ye hae i' yer han'—and her on the piana. Eh! but she was a bonnie wuman as ever I saw, an' that quaiet! It's my belief she never thocht aboot her ain beowty frae week's en' to week's en', and that's no sayin' little—is 't, Aggy?'
'I never preten't ony richt to think aboot sic,' returned Miss Lammie, with a mild indignation.
'That's richt, lass. Od, ye're aye i' the richt—though I say 't 'at sudna.'
Miss Lammie must indeed have been good-natured, to answer only with a genuine laugh. Shargar looked explosive with anger. But Robert would fain hear more of his mother.
'What was my mother like, Mr. Lammie?' he asked.
'Eh, my man! ye suld hae seen her upon a bonnie bay mere that yer father gae her. Faith! she sat as straught as a rash, wi' jist a hing i' the heid o' her, like the heid o' a halm o' wild aits.'
'My father wasna that ill till her than?' suggested Robert.
'Wha ever daured say sic a thing?' returned Mr. Lammie, but in a tone so far from satisfactory to Robert, that he inquired no more in that direction.
I need hardly say that from that night Robert was more than ever diligent with his violin.
Chapter XXI. The Dragon
Next day, his foot was so much better that he sent Shargar to Rothieden to buy the string, taking with him Robert's school-bag, in which to carry off his Sunday shoes; for as to those left at Dooble Sanny's, they judged it unsafe to go in quest of them: the soutar could hardly be in a humour fit to be intruded upon.
Having procured the string, Shargar went to Mrs. Falconer's. Anxious not to encounter her, but, if possible, to bag the boots quietly, he opened the door, peeped in, and seeing no one, made his way towards the kitchen. He was arrested, however, as he crossed the passage by the voice of Mrs. Falconer calling, 'Wha's that?' There she was at the parlour door. It paralyzed him. His first impulse was to make a rush and escape. But the boots—he could not go without at least an attempt upon them. So he turned and faced her with inward trembling.
'Wha's that?' repeated the old lady, regarding him fixedly. 'Ow, it's you! What duv ye want? Ye camna to see me, I'm thinkin'! What hae ye i' that bag?'
'I cam to coff (buy) twine for the draigon,' answered Shargar.
'Ye had twine eneuch afore!'
'It bruik. It wasna strang eneuch.'
'Whaur got ye the siller to buy mair? Lat's see 't?'
Shargar took the string from the bag.
'Sic a sicht o' twine! What paid ye for 't?'
'A shillin'.'
'Whaur got ye the shillin'?'
'Mr. Lammie gae 't to Robert.'
'I winna hae ye tak siller frae naebody. It's ill mainners. Hae!' said the old lady, putting her hand in her pocket, and taking out a shilling. 'Hae,' she said. 'Gie Mr. Lammie back his shillin', an' tell 'im 'at I wadna hae ye learn sic ill customs as tak siller. It's eneuch to gang sornin' upon 'im (exacting free quarters) as ye du, ohn beggit for siller. Are they a' weel?'
'Ay, brawly,' answered Shargar, putting the shilling in his pocket.
In another moment Shargar had, without a word of adieu, embezzled the shoes, and escaped from the house without seeing Betty. He went straight to the shop he had just left, and bought another shilling's worth of string.
When he got home, he concealed nothing from Robert, whom he found seated in the barn, with his fiddle, waiting his return.
Robert started to his feet. He could appropriate his grandfather's violin, to which, possibly, he might have shown as good a right as his grandmother—certainly his grandfather would have accorded it him—but her money was sacred.
'Shargar, ye vratch!' he cried, 'fess that shillin' here direckly. Tak the twine wi' ye, and gar them gie ye back the shillin'.'
'They winna brak the bargain,' cried Shargar, beginning almost to whimper, for a savoury smell of dinner was coming across the yard.
'Tell them it's stown siller, and they'll be in het watter aboot it gin they dinna gie ye 't back.'
'I maun hae my denner first,' remonstrated Shargar.
But the spirit of his grandmother was strong in Robert, and in a matter of rectitude there must be no temporizing. Therein he could be as tyrannical as the old lady herself.
'De'il a bite or a sup s' gang ower your thrapple till I see that shillin'.'
There was no help for it. Six hungry miles must be trudged by Shargar ere he got a morsel to eat. Two hours and a half passed before he reappeared. But he brought the shilling. As to how he recovered it, Robert questioned him in vain. Shargar, in his turn, was obstinate.
'She's a some camstairy (unmanageable) wife, that grannie o' yours,' said Mr. Lammie, when Robert returned the shilling with Mrs. Falconer's message, 'but I reckon I maun pit it i' my pooch, for she will hae her ain gait, an' I dinna want to strive wi' her. But gin ony o' ye be in want o' a shillin' ony day, lads, as lang 's I'm abune the yird—this ane 'll be grown twa, or maybe mair, 'gen that time.'
So saying, the farmer put the shilling into his pocket, and buttoned it up.
The dragon flew splendidly now, and its strength was mighty. It was Robert's custom to drive a stake in the ground, slanting against the wind, and thereby tether the animal, as if it were up there grazing in its own natural region. Then he would lie down by the stake and read The Arabian Nights, every now and then casting a glance upward at the creature alone in the waste air, yet all in his power by the string at his side. Somehow the high-flown dragon was a bond between him and the blue; he seemed nearer to the sky while it flew, or at least the heaven seemed less far away and inaccessible. While he lay there gazing, all at once he would find that his soul was up with the dragon, feeling as it felt, tossing about with it in the torrents of the air. Out at his eyes it would go, traverse the dim stairless space, and sport with the wind-blown monster. Sometimes, to aid his aspiration, he would take a bit of paper, make a hole in it, pass the end of the string through the hole, and send the messenger scudding along the line athwart the depth of the wind. If it stuck by the way, he would get a telescope of Mr. Lammie's, and therewith watch its struggles till it broke loose, then follow it careering up to the kite. Away with each successive paper his imagination would fly, and a sense of air, and height, and freedom settled from his play into his very soul, a germ to sprout hereafter, and enrich the forms of his aspirations. And all his after-memories of kite-flying were mingled with pictures of eastern magnificence, for from the airy height of the dragon his eyes always came down upon the enchanted pages of John Hewson's book.
Sometimes, again, he would throw down his book, and sitting up with his back against the stake, lift his bonny leddy from his side, and play as he had never played in Rothieden, playing to the dragon aloft, to keep him strong in his soaring, and fierce in his battling with the winds of heaven. Then he fancied that the monster swooped and swept in arcs, and swayed curving to and fro, in rhythmic response to the music floating up through the wind.
What a full globated symbolism lay then around the heart of the boy in his book, his violin, his kite!